I have been noticing one of the lamest complaints from movie critics lately, even from Ebert himself, that kids films today can’t be enjoyed by adults. Yeah, I know, what kind of complaint is that? Does it really matter that there is little to nothing for adults to latch onto in Race to Witch Mountain or Monsters vs. Aliens? Oh the humanity! Hapless parents having to sit through innocuous films that enthrall their children. How can we ever save them? Give me a break! Any parent who has had to sit through countless episodes of Spongebob Squarepants isn’t going to bat an eye at Monsters vs. Aliens. Most of the critics are acting like it is an unreasonable expectation to have parents sit through these films, but to quote Dee Snyder’s response to Al Gore’s similar question during the infamous Congressional Hearing on inappropriate music, concerning Snyder’s belief that parents should listen to all of their children’s music and discuss it with them, “Being a parent isn’t a reasonable job.” Even more eye rolling for me is the lament for the old days when children could enjoy much better fare like Pinocchio, never mind that Gene Autry was crooning about horses while investigating a futuristic lost world located under his ranch in the only Musical/Western/ Science Fiction film ever made, Phantom Empire, and one that certainly lacks the depth of Disney’s deservedly beloved classic, but the kids probably enjoyed it just as much. So stop whining and let the kids enjoy their mindless entertainment before they have to growup and face the real world. Is that so bad?

Neal said
April 6 2009 @ 11:54 am
I think parents are more likely to enjoy the children’s movies of today than the schlock that was perpetrated on kids back in the 70s. Most of the live action films that Disney put out back then, while passably enjoyable for kids, must’ve been torture for parents. I think the animated musicals that Disney put out in the late 80s and 90s lulled adults into thinking that all children’s movies should actually be adult films with whimsical themes so they can relive their child-like sense of wonder. They could use the excuse that they were for the kids, but they were really aimed at adult sensibilities. Dreamworks shrewdly realized that kids like crude, obvious humor, which is why the films are successful, even though I can’t stand them. I imagine many adults feel the same way, but they are at least watchable.