Archive for October, 2008

TV Halloween Alternatives

Though this is a blog about movies I thought I would highlight some enjoyable TV show episodes that can watched on DVD as an alternative to the usual Halloween viewing fare.

Dragnet: The Big Girl- From the fifties version of the show, Sgt Joe Friday and his partner Frank Smith track down a cross dressing hitchhiker who robs and kills men who give him lifts.   Though full of the standard rat-a-tat dialog delivery and methodical showing of police procedure, the ending is a chilling sequence with the detectives tracking their suspect though a shadowy building and engaging in a slam bang shoot out.

Voyage to the Bottom of the Sea: Turn Back the Clock- Before it morphed into a sea monster of the week show Voyage was one of the best sci-fi shows on the air mixing cold war espionage, deep sea rescues and the occasional mad scientist/ sea monster plots in their first two seasons.  This episode chronicles Admiral Nelson taking the crew of the Seaview on an Arctic rescue mission and discovering a lost continent full of dinosaurs.  Producer Irwin Allen’s reuse of footage from his film Lost  World (1961), which ironically also starred David Heddison allows the episode to have a much bigger looking budget than usual for sixties TV.

The Man From U.N.C.L.E.: The Gazebo in the Maze Affair- Another show that started out really good before falling into campy cheesiness.  This episode was a smooth blend of genuine suspense and light humor as maniacal George Sanders and his cheerfully homicidal wife Jeanette Nolan kidnap U.N.C.L.E. agent Illya Kuryakin in order to lure his hated enemy Napoleon Solo into rescuing Illya from Sanders’ dungeon, where he plans to do them both in.  Though their escape through a trap laden garden maze while being hunted by a tiger is an extremely tense laden sequence, nothing tops the frightening scene of Nolan’s upbeat demonstration to Sanders on the proper way to inflict torture with a branding iron on a cowering Bonnie Franklin as the proposed victim.

Lost In Space: Follow the Leader- A surprisingly serious episode from late in the campy hit’s first season with Professor Robinson getting possessed by an alien entity, who at first seems to want to help the Robinsons fix their ship and get back to Earth, only to later reveal a more sinister intent.  The episode’s climax where the entity tries to force the Professor to kill his son Will Robinson, proves that when it wanted to this show could produce true character based dramatic tension.

The Wild Wild West: The Night of the Druid’s Blood- One of the few Man From U.N.C.L.E. knock offs to actually outlast it’s  inspiration and most of the other spy shows of the sixties.  The reason?   No matter how weird things got it never forgot that at it’s core it was a western (something the Will Smith/ Kevin Kline version never quite grasped) and there was never a weirder episode than this one.  Frontier Secret Service Agents Jim West and Artemus Gordon investigate the strange spontaneous combustion death of West’s old college professor, which leads them to a witch’s sabbath located under a graveyard and led by magician Don Rickels (who is surprisingly effective as the sinister cult leader) where they eventually uncover the Frankensteinian plot of an evil genius to harvest his victim’s brains for their scientific knowledge.

The Saint: The House on Dragon’s Rock- One of the most successful and long running imported shows from England, it ran for almost the entire decade of the sixties, and had plots that bounced around from standard mysteries, science fiction, espionage, and heist/ sting operation against criminals.  Based on one of author Leslie Charteris’ stories the episode was one the few forays into genuine horror as famed adventurer Simon Templar answers a call for help from an old friend to investigate strange deaths in the English countryside and uncovers a mad scientist creating giant ants that if left unchecked could destroy the world.

The Monkees: I Was a Teenage Monster- Halloween always needs a good horror spoof and the Monkees did several, but this one was one of their best.  Hired by mad scientist John Hoytt to teach his creature Richard Kiel to play music, he really intends to zap their musical ability into his creature’s body and make millions.  Full of quips and sight gags, plus the obligatory chase at the end, the funniest moment is Kiel’s hysterical effeminately gestured imitation of an interior decorator during one of many failed attempts the gang has of getting their musical talent back.

Starsky & Hutch: The Vampire- A straight out horror plot played perfectly serious from the seventies action hit.  Detectives Dave Starsky and Ken Hutchinson investigate a series of bizarre murders where the victims are all bit on the neck and blood is missing from their bodies.  Clues lead to crippled ballet teacher John Saxon who turns out not to be crippled and was part of a devil worshiping cult.  His murders are part of a dementia inspired satanic ritual to bring his dead wife back to life.

Magnum P.I.: The Woman On the Beach- A long running show that continually played around with the genre conventions on what a detective show was supposed to be like and is still one of the most beloved and popular detective shows today.   You could always count on a few episodes every season that had a bit of spookiness in it, and in this one they haul out the old chestnut of the mysterious ghost.  Magnum pal Rick meets a beautiful woman on the beach and spends most of the night with her.  She disappears in the morning and Rick asks Magnum to find her, where she turns out to supposedly have been a woman who was murdered almost forty years ago and is believed to haunt that stretch of beach.

Firefly: Bushwacked- Joss Whedon’s short lived sci-fi western was probably his best and most overlooked work (Okay I admit it, I’m a die hard Brown Coat), an intelligent adventure show that focused more on character than action.  This was their creepiest episode with Captain Malcolm Reynolds and the crew of Serenity coming upon an abandoned space ship.  Preparing to loot it they discover that it was attacked by Reavers, savage nomadic pirates that attack ships for the sole purpose of mutilating people.  The lone survivor of the attack is so traumatized that he becomes a Reaver himself and goes on a murderous rampage, stalking Malcolm through the vast empty corridors of the abandoned ship.

More Halloween Alternatives

Yesterday I gave some suggestions for classic film alternatives for Halloween.  Today I’ll give some suggestions for for modern films that might make for a good alternative to the standard films watched on Halloween.

Blow Out (1981)- Brian De Palma’s intriguing reworking of sixties cult hit Blowup (1966) has John Travolta as sound engineer for a film company who inadvertently records a car accident that may be a political assassination while getting background sounds for a film.  He teams up with call girl Nancy Allen, who he saves from the accident, to find the truth and are pursued by creepy fixer John Lithgow who decides the best way to handle things is to start killing women so that when he kills Allen it will look like the random work of a serial killer.
The Private Eyes (1981)- An hilarious throwback to the haunted house comedies and who done its of the Golden Age with the perfect casting of Don Knotts and Tim Conway playing bumbling detectives in 1930’s England investigating mysterious goings on at a mansion.  They keep coming across dead bodies while the killer leaves taunting poems that never quite rhyme, almost do themselves in while investigating an ancient torture chamber and don’t even solve the mystery but get credit for it anyway.

First Blood (1982)- Don’t scoff at my including this film, while promoted and considered an action film by most it is actually a well made thriller with moments of intense suspense.  Sylvestor Stallone plays John Rambo, a disturbed Vietnam vet who is arrested for vagrancy by Brian Dennehy.  Freaking out in Jail, he escapes and is pursued into the woods where Rambo plays cat and mouse games with his pursuers in a series of suspenseful sequences that will have you on the edge of your seat.

10 to Midnight (1983)- A great high octane thriller with super macho Charles Bronson manufacturing evidence to convict a killer rapist, only to end up ruining his career when it’s discovered and the man goes free.  Tension mounts when the twisted killer seeks revenge by targeting Bronson’s daughter as his next victim.

Indiana Jones and the Temple of Doom (1984)- Another questionable suggestion perhaps, but Harrison Ford discovering a Thuggee cult holding human sacrifices that include pulling people’s hearts out of their chests while they are still alive and turning Ford himself into a mindless slave through an ancient drug recipe, puts it squarely in the horror genre in my book.

Twin Peaks: The Movie (1990)- Back when Twin Peaks was all the rage for a TV season, director David Lynch took the two hour pilot and filmed new footage to making an ending for the mystery of who killed Laura Palmer, which was completely different from the eventual solution revealed in the second season, for foreign markets as a stand alone film. The result is one his better efforts, with a coherent and linear storyline that chronicles Kyle MacLachlan’s quirky FBI agent on the trail of a serial killer that leads him to the picturesque and extremely weird North woods town of Twin Peaks.

Ed Wood (1994)- Though not an actual horror film,  Tim Burton’s homage to legendary cult filmmaker and cross dresser Edward D. Wood Jr., plays like an old fifties horror film, made in black and white with lots of shadowy lighting throughout.  Plus, the scene where Martin Landau’s drugged up Bela Lugosi tries to convince Johnny Depp’s Wood to join him in suicide while waving a gun around is one of the more frightening scenes to come out of a Hollywood film in the last two decades, and beats anything shown in the Saw movies.

Insomnia (2002)- While the film came and went in the blink of an eye, this unassuming remake of a Norwegian thriller was an under appreciated film by both critics and audiences.  Al Pacino plays a dirty cop who is sent to investigate a murder in Alaska, up in the far North where it is perpetually day.  Unable to sleep and under investigation for manufacturing evidence, he inadvertently kills his partner, who just happens to be the key witness in the case against him, and this was seen by the killer he is hunting down, played with surprising restraint by Robin Williams.  This leads to a tense battle of wits between the two as Pacino tries to keep from getting arrested for own misdeeds and prevent Williams from framing his victim’s boyfriend for both deaths.

Unfaithful (2002)- Director Adrian Lyne reworks his earlier hit Fatal Attraction (1987) with a film that starts out as an erotic and dramatic chronicle of bored wife Diane Lane having an affair.  But things take a Quinton Tarrentino stlye twist as the film shifts genres at the midway point when husband Richard Gere kills his wife’s lover with a snow globe and the couple then work together cover it up.  One of those rare films where an ambiguous ending works.

Tomorrow I’ll take different tack and offer some TV show suggestions for Halloween viewing.

Halloween Alternative Suggestions

Sorry about going so long between posts, my computer crashed and I was forever getting it debugged, defragged and detrojaned, or whatever the heck they call it.  Good thing I married a computer techie, otherwise I’d be out of the blogging game.  My original intention for this update was to complain about the lack of good Halloween films out there (and please don’t immediately try and defend Saw V) but in looking at past posts I noticed with rare exceptions I do nothing but complain and the last thing I want to become is a blog version of Andy Rooney, constantly bitching about what’s wrong with everything.   So instead I’ve decided to highlight some  alternative films to watch on Halloween instead of the usual Universal classics and modern slasher fare that makes up of most of the broadcast and rental choices usually offered.

For people that love classic horror films I offer these suggestions:

I Wake Up Screaming (1941)- Victor Mature plays a promoter suspected of killing his last client and relentlessly pursued by cop Laird Cregar, who seems determined to railroad Mature into prison for the murder than actually investigating the crime, continually popping up at unexpected moments to harass and threaten Mature as he hunts for the real killer.  The twist ending still supplies a punch in the gut when the killer and his motives are revealed.

The Man Who Wouldn’t Die (1942)- One of the best of Llyod Nolan’s Michael Shayne mysteries, with the tough, two fisted private eye hired to protect an ex-girlfriend from a ghost intent on killing her.  Reanimated corpse Leroy Mason stalking the dark corridors of the mansion with glowing eyes is one of the scariest moments in classic cinema.

When Strangers Marry (1944)- A little known William Castle thriller where small town girl Kim Hunter shows up in New York to meet with her new husband Dean Jagger only to find he is suspected of murder.  As she spend more and more time with him as they try to elude the police, she begins to realize she doesn’t really know who he is and suspects he might very well be the killer.  Castle shows great ingenuity with this low budget Hitchcokian suspenser with a truly nail biter ending.

Pillow of Death (1945)- Final film in Lon Chaney, Jr.’s short lived Inner Sanctum series, with Chaney suspected of killing his wife so that he can marry his secretary.  As Chaney searches for the real killer, more people die and he starts hearing his dead wife calling to him from the grave.  Contains the most surprising twist ending in the series along with one of Chaney’s best non-Wolfman performances.

Shock (1946)- Lynn Bari witnesses a man murdering his wife and goes in to apoplectic shock.  She is taken to a sanitarium run by Vincent Price, who just happens to be the man she witnessed committing the murder.  Loads of suspense as Price learns what she saw and then plans her “accidental” death.

Don’t Bother to Knock (1952)- Richard Widmark is going through a bad patch with his wife and decides to put the moves on hotel babysitter Marilyn Monroe only to discover that she’s not too tightly wrapped and plans to do something horrible to her charge when she walks in on Widmark and Monroe in mid clinch.

Blueprint For Murder (1953)- A little know noir that will keeping you guessing right up till the last moment as Joseph Cotton plays an architect who is slowly coming to realize that his brother’s second wife may have poisoned his brother and then his niece, and may be planing to do the same with his nephew for the inheritance.  Cotton follows her on a world cruise with the intention of turning the tables with some poison of his own.

Suddenly (1954)- Kept out of circulation for decades due to the star’s insistence after the death of John Kennedy, it has re-emerged as one of Frank Sinatra’s best films.  Sinatra plays a cold blooded hit man who keeps a family hostage while he waits to shoot the President, who’s train is stopping at the small town of Suddenly.  Sinatra was never better as an unemotional, matter of fact killer who shows signs of slowly unraveling as the film progresses.  The final ten minutes rival anything Hitchcock ever did.

Tomorrow I’ll high light more modern film alternatives

 
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